DİSKOGRAFİ

Passion / Viola Sonatas - Solo Pieces

Atilla Aldemir, Itamar Golan

Johannes Brahms (1833 - 1897)
Klarnet ve Piyano için Sonat, Fa minör, Op. 120, No. 1

  • Track 1: I. Allegro appassionato
  • Track 2: II. Andante, un poco adagio
  • Track 3: III. Allegretto grazioso
  • Track 4: IV. Vivace

César Franck (1822 - 1890)
Keman ve Piano için Sonat, La Majör, Op. 120

  • Track 5: I. Allegretto ben moderato
  • Track 6: II. Allegro
  • Track 7: III. Recitativo - Fantasia: Ben moderato
  • Track 8: IV. Allegretto poco mosso

Dmitri Shostakovich (1906-1975)
Viyola ve Piyano için Sonat, Op. 147

  • I. Moderato
  • II. Allegretto
  • III. Adagio

Necil Kazım Akses (1908-1999)

  • Capriccio (für Viola solo, 1978)

Halit Turgay (*1967)

  • Troja (für Viola solo) (2018)

Henri Vieuxtemps (1820-1881)

  • Capriccio (für Viola solo) "Hommage à Paganini"
SATIN AL RADYODAN DİNLE

Nürnberger Nachrichten (Jens Voskamp), 26.11.2019

“Turkish violist Atilla Aldemir is allowed to put himself impressively in musical scene on the double CD Passion. …Very respectable.”

Badische Zeitung (Christine Adam), 6.12.2019

“Differentiated and passionate. With the violist Atilla Aldemir, emotions and fine musical presentation go completely into one. … Aldemir and Golan convincingly explore the expressive palette … from tenderness to the grotesque. … The viola is seldom heard so differentiated, gentle and passionate, bucolic and graceful.”

SWR2 (Treffpunkt Klassik, Dorothea Bossert), 8.12.2019

“…the violin sonata by César Franck in a version for viola. Hardly anyone dares to do that. That sounds very convincing … the Franck sonata set deeper, in passionate alto register. While the violinists build up the passion and tension of this sonata more from a virtuosic-furiant rubato style, Attila Aldemir relies on the eroticism and penetrating power of the rich, sonorous depth of his instrument and interprets the high registers as if they were arpeggio-like torn overtone spectra.”

“Definitely worth hearing is the sound of his instrument …: sonorous and powerful in the depths, with a warm, yet light and almost silvery height, wonderfully balanced in all registers.”

Klassik Heute (Verena Düren), 10.12.2019

“The violist Atilla Aldemir has entitled his latest record, released by the gwk label, 'Passion', and in fact, the title could not have been better chosen. ... Listening to his new recording, one is tempted to say that his heart belongs to this instrument”

“From the very first bars of the Brahms sonata, Aldemir manages to captivate the listener with his passionate playing, but also with the warm timbre of this instrument. … Especially when you have Franck's original version with violin in your ear, it becomes evident how much the work gains in sound and intensity by using the viola. Shostakovich's work, which he completed on his deathbed, is played brilliantly throughout.”

“Atilla Aldemir concludes his literally passionate double album with a declaration of love for the work that brought him to the viola, the intimately and highly virtuosically played Capriccio Hommage à Paganini by Henri Vieuxtemps.... A great finale and an extremely intense one.”

Online Merker (Dr. Ingobert Waltenberger), 08.11.2019

“'Elemental and sensitive' can be considered the trademark of this eminently captivating duo. … Music can be experienced here in all its roughness, existential power and curiously interpretatively open new exploration. Stirring!“

Klassik begeistert (Peter Sommeregger), 22.11.2019

“An atmospherically dense journey through time. For all lovers of chamber music a worthwhile new release!”

Blanca Gallego

He querido tocar tres obras tardías de tres grandes compositores que hubieran compuesto para la viola como son Shostakovich, Brahms o el arreglo para viola de la Sonata de Franck”, nos decía el mes pasado en una entrevista concedida a RITMO el espléndido violista Atilla Aldemir, que en el 80% de esta grabación se sumerge en obras de especial densidad y calidad, como es la Primera Sonata para viola y piano en fa menor Op. 120 de Brahms, la Sonata Op. 147 de Shostakovich o el arreglo para viola de la Sonata en la mayor de César Franck. El resto del doble CD, incluye obras más breves pero muy interesantes, como es el Capriccio “Hommage à Paganini” de Vieuxtemps y dos primeras grabaciones mundiales: Capriccio para viola sola de Necil Kazim Akses (1908-1999) y Troja, para viola sola, de Halit Tirgay (1967), dedicada al propio Atilla Aldemir.

La Sonata de Franck conoce el arreglo para cello, donde grandísimos músicos han dejado su sello, pero en el poco conocido arreglo para viola son pocos los violistas que la han frecuentado, destacando a la extraordinaria Tabea Zimmermann. Aldemir, con un pianista sobresaliente (fundamental para las tres grandes obras propuestas) como es Itamar Golan, nos ofrece un hermoso sonido y un aún mejor entendimiento de cada obra, en especial en la Op. 147 Shostakovich, donde enfocan la Sonata desde el más absoluto pesimismo.



 

Ninni / Viola Sonatas - Brahms, Franck, Ada

Atilla Aldemir, Itamar Golan

Johannes Brahms (1833 - 1897)
Klarnet ve Piyano için Sonat, Fa minör, Op. 120, No. 1

  • Track 1: I. Allegro appassionato
  • Track 2: II. Andante, un poco adagio
  • Track 3: III. Allegretto grazioso
  • Track 4: IV. Vivace

César Franck (1822 - 1890)
Keman ve Piano için Sonat, La Majör, Op. 120

  • Track 5: I. Allegretto ben moderato
  • Track 6: II. Allegro
  • Track 7: III. Recitativo - Fantasia: Ben moderato
  • Track 8: IV. Allegretto poco mosso

Selman Ada (1953)
Arya "Ali Baba ve 40 Haramiler" Opera'sından.
Aranjman: Atilla Aldemir 

  • Track 9: Ninni
SATIN AL

The Contemporary Voice of Turkish Music

Atilla Aldemir, Şevki Karayel

Ahmed Adnan Saygun (1907 - 1991)
Keman ve Piyano için Süit, Op.33

  • Track 1: Prelüd
  • Track 2: Horon
  • Track 3: Ağır Zeybek
  • Track 4: Sepetçioğlu

İlhan Usmanbaş (1921 - )
"Yaklaşık Düo" Keman ve Piyano için

  • Track 5
    Atilla Aldemir ve Şevki Karayel'e ithaf edilmiştir

Fazıl Say (1970 - )
Keman ve Piyano için Sonat, Op. 7

  • Track 6: I. Introduction
  • Track 7: II.Groteske
  • Track 8: III. Perpetum Mobile
  • Track 9: IV. Untitled
  • Track 10: V. Da capo

Muammer Sun (1932 - )
Keman ve Piyano için "Üç Parça"

  • Track 11: Türkü
  • Track 12: Şarkı
  • Track 13: Köçekçe

Meliha Doğuduyal (1959 - )

  • Track 14: Boşluk / Vacuum
    Atilla Aldemir'e ihtaf edilmiştir
  • Track 15: Bis / Encore
    Atilla Aldemir ve Şevki Karayel'e ithaf edilmiştir
SATIN AL

Detmolder Preisträger Vorgestellt

Atilla Aldemir, Michael Kravtchin

Edvard Grieg (1843 - 1907)
Keman ve Piyano için Sonat, Do Minör, Op. 45

  • Track 1: Allegro molto ed appasionato
  • Track 2: Allegro espressivo alla Romanza - Allegro molto - Tempo I
  • Track 3: Allegro animato

Henryk Wieniawski (1835 - 1880)
"Faust Fantazi" Gounod'nun Faust Operası temaları üzerine çeşitlemeler

  • Track 4

Erwin Schulhoff (1894 - 1942)
Keman ve Piyano için Sonat, No. 2

  • Track 5: Allegro impetuoso
  • Track 6: Andante
  • Track 7: Allegretto
  • Track 8: Allegro risoluto

Martin Christoph Redel (1947)
"Omaggio" Keman ve Piyano için, Op. 52a (1999)

  • Track 9